MAGAZINE
Curated Collection for Open Call “Art in Interior” DI Catalogue x DuArt
We are honored to present this curated collection – the result of an Open Call “Art in Interior”, initiated by DI Catalogue and DuArt. We received around 50 submissions from artists of a very high level, making the selection process both rich and challenging.
The curators of DuArt, Shlomit Oren and Lilach Shmoul, carefully reviewed all submissions and selected 12 artists whose works, in their view, most strongly reflect the criteria and spirit of the open call.
Born from the spirit of Passover – renewal, light, meaning home gathering – this curated selection brings together artworks chosen for their ability to live naturally within residential interiors. Rather than decorative additions, these are works with presence: pieces that enter into a sensitive dialogue with architecture, light, and the story a home tells.
You’re invited to like your favorite works on the site. In June, we will announce the Audience Choice winner.
This collection now forms the foundation for the next stage of the Open Call: interior designers are invited to select art works and integrate them into real or conceptual living spaces, continuing the dialogue between art and interior.
Artworks are provided exclusively for interior designers and may be used solely for participation in the “Art in Interior” Open Call. All rights to the artworks remain with the artists, and any other use is strictly prohibited without prior permission.
Alina is a multidisciplinary artist, educator and director with over 15 years of experience in visual arts, animation, and art education. My work blends fine art traditions with contemporary media, spanning painting, illustration, commercial direction. Projects have been exhibited internationally and acquired by institutions such as the National Gallery of Australia and the Museum of the Moving Image in New York. As an art educator, Alina designs and leads programs for diverse audiences, from children to professional creatives, fostering both technical skill and artistic expression.
Born in Kazan, Tatarstan and trained in leading art institution in Russia, Alina combines a global perspective with a deep understanding of cultural heritage. Her career bridges artistic practice and education, creating meaningful experiences through both visual storytelling and hands-on creative work.
Calmness. (The blue one)
Watercolor on paper
30 x 40 cm.
800₪
Watercolor on Canvas.
100 х 150 cm.
4000₪
This work is inspired by my dreams. The color blue is central to the piece – it represents simplicity, but also a sense of mystery. It feels soft, yet at the same time strong and present.
The composition is almost entirely built with ultramarine. This is my favorite color, and for me it carries a feeling of both calm and inner strength.
Old Jaffa. (With the balcony)
Watercolor on canvas.
100x150cm.
4000₪
I love Jaffa: walking through its old streets, hearing the shuffle of footsteps on the stone pavements, smelling the scent of spices and Arabic perfumes. It’s a place where you can encounter all cultural and social layers of the city, overhear conversations, and wish you knew every language in the world. Here, it almost feels as if they all come to life.
Evening stories. (One with the crowd)
Watercolor on canvas.
100x150cm.
4000₪.
I painted this piece during the First Iran-Israel War in July 2025. I searched through Tel Aviv archives from the 1980s, piecing together the composition bit by bit. Israel was always in a state of conflict, yet despite this, its people never stopped living. They met, walked, ate, and enjoyed beautiful evenings. This is what the painting is dedicated to.
Anat Belkind
Anat is an artistic photographer, lecturer, and mentor with over three decades of experience. Her work explores composition, movement, and visual rhythm, using long exposure and intentional camera movement (ICM) to create abstract images that exist between photography and painting.
Alongside ongoing personal projects in Israel and abroad, she has presented two solo exhibitions and participated in numerous group exhibitions. Her works have been published in the digital art magazine 44DEGREES, in the contexts of nature, abstraction, and escapism.
She studied photography in Israel and abroad, including at Yaakov Bornstein’s School of Photography and in courses in Boston, Berlin, and Tel Aviv, as well as phototherapy, impressionistic and architectural photography, and visual travel journals.
For Anat, photography is a way of observing space – the relationships between lines, surfaces, and materials, and how spaces come to life through movement and composition.
Urban Flow
Digital photography using long exposure, creating motion blur of pedestrians in an urban environment.
53 × 80 cm / 60 × 100 cm
1500₪ / 1800₪
The work traces the movement of passersby in an open urban space as a continuous human flow. The figures dissolve into a bright, minimalist background, where rhythm, distances, and the lines they draw in space become the central motif – part of an ongoing study of crowd movement in public space.
Autumn in the Vineyards
Digital photography using long exposure with ICM (intentional camera movement).
53 × 80 cm / 60 × 100 cm
1500₪ / 1800₪
The work translates vineyards in autumn into soft layers of blurred yellow, red, and green. Through camera movement, concrete details disappear, and the landscape becomes an abstract field of color that expresses the breath of the season more than the place itself, as part of a series created in the same area and time period
Drawing in Water
Digital photography using long exposure with ICM, creating linear blur of the waves.
53 × 80 cm / 60 × 100 cm
1500₪ / 1800₪
The work approaches the sea as a space of moving lines and blues rather than a documented landscape. The camera’s movement creates an ongoing drawing in the water, emphasizing the changing rhythm of the waves and inviting a meditative gaze on the layered nature of the sea, within a series photographed from the same shore under similar lighting conditions.
Stella is an interior designer and textile artist, and the founder of WEAVE IN studio. She creates wall art using a unique technique of layered cotton weaving (Layered Cotton). Her works emerge from the connection between architecture and material, aiming to introduce softness and textural depth into modern spaces.
The collection presented for the open call focuses on organic materiality and a natural color palette. Each piece is meticulously handcrafted, with an emphasis on the interplay of light and shadow created by the layers. The works are especially suited for residential spaces seeking a refined yet warm visual anchor.
WEAVE No. 1 | The Geometry of Softness
Hand weaving of cotton threads
60 × 60 cm + frame
3000₪
This piece explores the tension between symmetrical geometry and the organic softness of cotton threads. The central diamond pattern acts as a strong visual anchor, creating three-dimensional depth and shifting light and shadow throughout the day. The use of natural tones reflects a connection to raw materiality and embodies the concept of Quiet Luxury.
WEAVE No. 2 | Architectural Rhythm
Layering of cotton threads
80 × 120 cm + frame
4200₪
A monochromatic work that reflects the dialogue between handcrafted art and modern architecture. The grid structure echoes the structural lines of contemporary living spaces, while the consistent rhythm of woven squares creates a sense of visual calm. The piece offers a textural and acoustic solution for large walls without overwhelming the color scheme of the space.
WEAVE No. 3 | Linear Dialogue (Diptych)
Layering of cotton threads
80 × 120 cm + frame
4200₪
A series exploring movement and continuity. The geometric composition, split between two units, creates a visual flow across the wall and allows for design flexibility. Diagonal lines soften the rigidity of the space, introducing gentle dynamism, while the handcraft is evident in every fiber.
Tamar is a textile designer and artist, founder of a textile design and production studio established in 2010 in Tel Aviv. She graduated from Shenkar in Textile Design (2009) and from Bezalel with an MA in Industrial Design (2016).
Following an internship with Swedish fashion designer Diana Orving, Tamar founded her independent studio with the aim of creating a unique presence within the local design landscape. The studio serves as a meeting point for interior designers, home stylists, industrial and fashion designers, as well as private clients seeking to create expressive worlds of form and color.
She has designed textiles for leading brands such as Comme Il Faut, Bikl, Golf & Co., the Masada Museum, and the Israel Museum, and collaborates with interior designers and architects on wallpapers, lighting, and custom artworks.
Her works have been presented at major exhibitions, including the Textile and Paper Biennales at the Eretz Israel Museum, and at design fairs in Milan and the Philadelphia Craft Show. She has held three solo exhibitions, participated in numerous group exhibitions, and her works are included in private and corporate collections in Israel.
The Light of the Skin 03
Mixed Media Textile
60 × 80 cm
4000₪
My works move between documented natural environments and imagined landscapes, combining digital and screen printing, textile layering, and intentional wear.
Wild landscapes are transformed into imagined terrains infused with a human presence, where concealment and revelation shape delicate, layered compositions with hidden yet emerging figurative elements.
Using fragile materials such as textiles and paper, I create a poetic dialogue between old and new, documentation and invention, construction and decay—an ongoing, cyclical process within the urban and human landscape.
Ochre Greenhouses
Mixed Media Textile
50 × 60 cm, framed
4000₪
Letter from Time
Mixed Media (Textile and Paper)
50 × 60 cm, framed
2800₪
Einav Cameron is an artist from the Jezreel Valley. Over thirty years ago, she completed her studies in creative art at the University of Haifa. Art has always accompanied her throughout her life, but it has never been her main occupation. In August 2023, she made a decision as she realized she had to create a change in her life. Time was moving forward, and if she wasn’t brave, she would remain with a feeling of unfulfilled potential. She decided to leave her job and simply began to paint. She works with acrylic on canvas and incorporates various materials. She enjoys building multiple layers, playing with textures and color, and bringing nature into her work together with childhood memories from the past.
Yellow Hope
Acrylic and mixed media
120 x 100
Price 3100₪
A painting created after encountering fields of sternbergia flowers – small, yellow, and densely growing. A yellow force that gave the artist strength and hope, while at the same time resonating with the yellow ribbons in the struggle for the release of the hostages. An inner, not entirely conscious dialogue about Einav’s new identity as an artist, about expression and presence.
Field in the Valley
Acrylic and oil pastels
120 x 100 cm
Price 3100₪
A painting that emerged after a period of creative dryness that followed the artist’s mother passing. Based on a photograph she took in the valley fields, it brought with it a different interpretation and a desire to reconnect with the source of creation, exploring new materials – oil sticks and pastel combined with acrylic.
Standing
Acrylic and mixed media
40 x 40
Price 1200₪
An earlier painting created after the birth of Einav’s second son, in an attempt to bring art and painting back into her life. It was not an easy period for her as a mother, yet at the same time deeply liberating through the return to creation that she had missed so much. Here too, there is a connection to nature – in the image of the cyclamen standing proudly within a certain kind of chaos.
Dekel is a contemporary mixed-media artist. Before turning to art, he came from a highly structured and rational business background and worked for many years in an intense, data-driven professional environment. Dekel’s move into art came from a personal need to pause and ask questions about identity, routine, and the influence of information systems on our lives.
His work explores the tension between information, routine, and identity. Dekel often works with newspapers as both material and symbol, not only as a source of information, but as something that frames reality and sometimes conceals the human presence within it. Through layers of material and image, he explores the question of who we are before we are exposed to information, and who we become afterward.
Memory
Mixed media on canvas
80 × 120 cm
Price 4300₪
This work explores the relationship between memory and information overload. The newspaper placed over the eyes acts as a symbolic barrier between the individual and the constant flow of information. The floating letters suggest thoughts, memories, and fragments of language that shape our inner world while obscuring direct perception of reality.
Used to Be
Mixed media on wood
59 × 75 cm
Price 3100₪
This work addresses the erosion of identity within a media-saturated environment. The faceless silhouette suggests a person whose individuality has faded or been absorbed by the constant presence of information. The newspaper element functions as both material and metaphor, representing the structures that frame and sometimes erase personal identity.
Taped Anemone
Mixed media on wood
69 × 81 cm (including frame)
Price 4700₪
This piece reflects on fragility and resilience. The flower appears delicate, yet it is visually “held together” by fragments of newspaper, suggesting the way narratives and information shape how we interpret beauty, loss, and renewal. The work balances minimal imagery with layered meaning.
Dana is an artist working at the intersection of body, lens, and textile. For over two decades, she has bridged dance and visual art, developing a language rooted in physical memory, personal lineage, and the dialogue between body and psyche. Her recent practice transforms frames from dance films into silk prints using a digital textile process, where movement becomes material—a choreographic moment suspended yet vibrating within the fabric.
She is a recipient of the Bessie Schönberg Residency, a Lower Manhattan Cultural Council Workspace artist, an awardee of the American Dance Festival and a supported artist by the Kevin Spacey Foundation. Katz holds a BFA from Melbourne University’s Victorian College of the Arts and an MFA from NYU’s Tisch School of the Arts, with studies at SNDO and UCLA.
Her series Miracle Mile expands her investigation into the inner landscapes of women standing at pivotal thresholds — moments of transition, recalibration, and self-reclamation. Primarily filmed in Los Angeles, the series situates these intimate transformations within the psychic architecture of the female character’s sanctuary- home — a place defined by reinvention, exposure, and becoming. Miracle Mile has been presented in New York, Tel Aviv, Mexico City, and ABC Art Baja La Paz.
Miracle Mile series – Tea Time 4’33
Print on silk fabric
70 x 90
4100₪
*Available in custom sizes as well
Tea Time 4′33 reflects an intimate pause – a tender ritual where the ordinary becomes ceremonial.
Miracle Mile series – She Shall
Print on silk fabric
70 x 90
4100₪
*Available in custom sizes as well
Created from a moment captured along the West Coast, She Shall reflects fragility, presence, and quiet resilience – a trace held between memory and becoming.
Miracle Mile – She Holds the quiet
Print on silk fabric
70 x 90
4100₪
*Available in custom sizes as well
She Holds the Quiet reflects a moment of inward refuge, where softness becomes a sanctuary and silence is gently embraced.
Tamara is an artist and interior designer, and the founder of TO.MA Wood Art. She creates wooden artworks for contemporary interiors, inspired by minimalism, architecture, and natural materials.
Her work explores the relationship between art and space. Each piece is carefully designed and handcrafted, combining layered compositions, natural wood textures, and subtle color accents to bring depth and character to modern interiors.
Bauhaus – Rubinsky House
Birch plywood, color
20 × 22 cm
1400₪
This piece is inspired by Bauhaus architecture, exploring geometric forms and the interplay of light and shadow on layered wood. It reflects minimalism and the architectural rhythm of modern interiors.
Banana Leaves
Birch plywood, color
60 × 40 cm
5000₪
This piece portrays a female figure immersed in a tropical atmosphere, exploring the harmony between the human form and natural surroundings. The layered wooden composition creates depth and texture, adding a sculptural quality to contemporary interiors.
Beach TLV
Birch plywood, color
30 × 20 cm
2000₪
This piece depicts a female figure against the iconic landmarks of Tel Aviv, exploring the interplay between human presence and the urban landscape. The layered wooden composition, with smooth transitions, creates depth and movement, making it a striking addition to contemporary interiors.
Hila Laiser Beja
Hila is a multidisciplinary artist working for over 30 years across sculpture, painting, drawing, photography, and video, and has also worked as an interior architect. Her work explores the image of the home in private and public space, examining the tension between stability and its destabilizing, confining nature, particularly in relation to women, foreigners, and outsiders.
Using materials rooted in her childhood – concrete, metal, and rust – she addresses construction and decay simultaneously, reflecting the gap between external façade and internal chaos.
She holds a BFA from the University of Haifa and an MA from Tel Aviv University, and her work engages with philosophical ideas such as Deleuze and Guattari’s rhizome and Bergson’s duration, questioning whether nuanced, non-didactic art can reshape perceptions of violence and the aspiration for peace.
The Iron Lady
iron
21.3 x 21.3 x 3
3200₪
In many of my works – in video, photography and sculpture – women dominate a vacant space, perhaps because the men had abandoned it, or before they are there to practice liberation and offer a potential revival to a site that seems as if it had been emptied of its original purpose. Places such as abandoned factories, military camps, ruins of guard stations, all are standing vacant, but a feminine presence can bring new life to them. Women with a Helmet alludes to the reality in which women give birth to future soldiers, especially in a tense environment as in the middle east, and there are tense feelings of the pain of the labor, and the pain and anxiety over the potential future death of the newborn.
Asaf is an Israeli painter who comes to the art world through a deeply personal experience and a desire to create dialogue through visual imagery. In his paintings, Asaf combines figures and symbolic images within a free pictorial language that allows each viewer to find their own interpretation. For Asaf, painting is a way to explore emotion and resilience, and to transform human experience into something tangible on canvas.
Blue Profile
Acrylic, canvas, palette knife
90 × 90 cm
4000₪
The painting presents a semi-figurative form – part human, part material – acting as an adhesive of memory and gaze. The dominant blue color and the “red eye” create a tension between coldness and emotion, restraint and outburst, inviting the viewer to enter an inner tension rather than embrace a fixed narrative.
Green Faces
Acrylic, canvas, palette knife
70 × 100 cm
4000₪
A painting centered around a face as a fragmented emotional map forms merge and break apart. The turquoise color functions as an emotional background, directing the viewer toward inner sensations rather than recognition. The color language and texture reinforce the idea of vulnerability and resilience simultaneously: an incomplete expression that invites completion by the viewer.
Fall in Love 6.2
Acrylic on canvas, mixed media
100 × 100 cm
3000₪
The painting explores the concept of love through the deconstruction and reconstruction of the heart form. Through intuitive layering, alongside erasures and material interventions, a charged space is created in which vulnerability, intensity, and a search for wholeness coexist.
Gabby is an artist, designer, and partner in an advertising agency. He learned to draw and sketch, and holds a degree in visual communication, based in Jaffa-Tel-Aviv. Gabby’s artworks deal with culture icons, feelings, and relationships.
Gabby’s unique language conveys his conceptual way of combining characters, quotations, and materials into a “modern collage” with aesthetic, humor, and deep thought all wrapped up into one.
The Wild East
screen printing
35 x 50 cm
1500₪
The work “The Wild East” was created on November 29 using the screen-printing technique and presents the “new sabra” as I perceive it.
It also alludes to representations of the sabra in art, from Reuven Rubin, through David Tartakover, to Asad Azi Abu Shakra.
Petit Beurre
screen printing
35 x 50 cm
1500₪
The Petit Beurre (“the little butter”), a French biscuit invented in 1886 that quickly gained worldwide popularity, also contains a lesser-known creative idea. It represents a full calendar year: 4 corners for the four seasons, 52 ridges for the weeks (14 along the length and 10 along the width), and exactly 24 holes for the hours of the day. I have loved it for years, and as someone who works with cultural icons in my art, I was drawn to use it as well.
Sweet dreams
screen printing
35 x 50 cm
1500₪
In my art, I often engage with icons. In this work, I was drawn to choose an icon that evokes nostalgia, childhood memories, dreams…
Through the connection between the icon and the line from the song, I try to create something new of the present out of past memories and emotions.
Yaara is an artist, entrepreneur, and the owner of Yaara Open Studio, located in the Greek Market in Jaffa – a space that combines my glass bead design studio with a gallery for rotating exhibitions and cultural events.
Misbacha
Clay + textile tassel
Total length (including tassel): approx. 180 cm.
Tassel length: approx. 65 cm (can be shortened upon request).
7000₪
The necklaces were created inspired by Dalida’s jewelry from the exhibition “Hachnisini” – a tribute project to foster mothers.
Each necklace consists of 33 beads + one elongated connecting bead.
The beads can be finished in any color from the Tambour, Nirlat, or RAL catalogs, in glossy, matte, or a combination of both finishes, with an original handmade macramé tassel, custom-made.
Tassel: Mirit Haleli Hurwitz
Misbacha
Clay + textile tassel
Total length (including tassel): approx. 180 cm.
Tassel length: approx. 65 cm (can be shortened upon request).
7000₪
Misbacha
Clay + textile tassel
Total length (including tassel): approx. 180 cm.
Tassel length: approx. 65 cm (can be shortened upon request).
7000₪
On the cover – watercolor by Alina Aimel.
High-quality images of the artwork are available for download after registering and setting up a personal professional page on the website.
